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2011-2012 Season Show Synopses Eclipse of the Soul
DOOR COUNTY READS 2012 - Jan. 23 through Feb. 17 The Member of the Wedding The Member of the Wedding continues in the tradition of Carson McCullers' breakthrough novel, The Heart is a Lonely Hunter. This funny, dark story reveals 12-year old Frankie, another McCullers misfit; this time a pre-adolescent girl whose dreams are too big for her small town and her small world. Friendless, excluded by peers and family, and on the brink of sexual and emotional discovery, Frankie is searching desperately for a “we” in the midst of a world struggling with racial conflict and the horrors and disruption of war. She sees her involvement in the upcoming wedding of her older brother as a chance to abandon her life and become someone new; a member of something larger, more accepting. More information...................
Striking 12 "[Vigoda and Milburn] are joined in the writing by effortlessly witty Rachel Sheinkin, who won a Tony Award for the book to the 25th Annual Putnam County Spelling Bee. [They] fiddled around and came up with an easy-going spin on Hans Christian Andersen's seven-paragraph-long children's story, The Little Match Girl. The sunny result...keeps a smile on your face from start to finish. Every so often, you even give out a Santa Claus-resounding belly laugh." -TheatreMania.com
Circle Mirror Transformation 2010 OBIE Award Winner for Best New American Play What do a flirty former actress, a teen-aged girl, a hippie husband and a divorced
carpenter have in common? At first glance, not much. Circle Mirror Transformation follows five small town Vermonters as they take a community acting class for six weeks, each with their own expectations. They soon learn more about each other and themselves than they bargained for, revealing secrets that they never intended and transforming in ways they never expected. "Circle Mirror Transformation is a small play, but because it’s so genuinely alive, its stature ultimately seems larger than works with more ambitious subject matter. And let’s not underestimate the scope of Baker’s vision. In bringing together a cadre of ordinary characters drawn to “creative drama,” the playwright doesn’t just communicate something fundamental about theatrical expression. She manages...to enact what makes theater the most human of all the arts." -LA Times
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